"OMNIMAR is a band based in Moscow which was founded in 2012 by two good friends – Maria Mar and Yaroslav (Hal) . Before starting this project, they had already had a chance to work with each other in some other Moscow rock and metal bands. Working in a big "live" band is not the easiest thing, so they decided to move towards electronic music and together created a band which comrises of just vocalist and synth programmer. OMNIMAR specializes in such genres as synth-pop, dark-wave, dark-electro, industrial etc." (last.fm)
Along with Kryonik Moon, Omnimar are among the bands that could receive a lot of attention and recognition if they were formed in 2006-2009, during the heyday of the "Schwarze Scene" in many post-Soviet countries. Unfortunately for them, they have released their debut album in 2015, when all that "dark scene" thing was already out of style. I've seen a dialogue on their Facebook page some time ago, where someone from southern France was complaining about how small is the dark scene where he lives. What could Omnimar answer to that? "Sadly, in Moscow it's also not very big nowadays", which is true (and I'm not even talking about smaller cities). However, they should be given credit for making a very professional release (even if there isn't much audience for it). They're also known for making lots of music videos, some of which I'd like to post here:
This video features rather stereotypical costumes (and general aesthetics) by today standards, but it could be a bomb if it was released 10 years ago:
Maybe this particular song is just plain pop music, yet it's still a quality kind of pop:
On a more "dark" side of their music, they have one track with lyrics in German. Maybe they actually have chances for recognition in Germany, where the "Schwarze Scene" still seems to be alive and well...
This band,formed in Moscow in late 2009, is frequently tagged as "nu-metal", but I'd rather avoid such a label, which no doubt could turn off quite a lot of potential listeners. Alternative metal? Well, maybe. Even this is "nu-metal" (which I think it isn't), I'm not ashamed to say I love such kind of nu-metal :) Even if not all songs on this album are as catchy as the title track, it's still a very good release (for instance, I liked it better than anything released by Lacuna Coil after 2004). The best part of their sound is undoubtely the voice of Marina Poberezhnyuk, which is very powerful and low-pitched (reminds me of another Moscow-based band with a similar sound - Moray Eel - which unfortunately doesn't exist anymore).
And, as a bonus, a couple of Marina's beach photos from 2015. As you can see, she has a quite nice figure! I especially liked Marina's legs, and her smile is beautiful too:
Ethno-pop with lyrics in Yukaghir? Now I truly have heard everything. Only a month ago I wouldn't even think that one day I'll post anything like this here, even if I've posted quite a lot of Mari and Komi ethno-pop before. However, these two languages, albeit endangered, are still spoken by hundreds of thousands native speakers, while both varieties of Yukaghir are spoken only by a couple of hundred people (mostly elderly). Yet there is modern music in this language, even if I managed to find only a couple of songs. Interestingly, there's also relatively many works of modern literature in both Yukaghir dialects, and the amount of talented Yukaghir writers and artists is suprprising for such a small-numbered ethnic group.
Yukaghir languages once were spoken all over the vast expanses of Eastern Siberia, but they were replaced by Yakut and Tungusic languages almost everywhere over the last millenium. The culture of Yukaghirs has some remarkably archaic traits (i.e. some remnants of matriarchy), which are thought to be the legacy of very ancient inhabitants of Siberia. Genetically, they exhibit roughly equal frequencies of Y-DNA haplogroups N1c (typical for Uralic peoples), Q (typical for Native Americans and Paleo-Asiatic/Siberian peoples), and C2 (typical for Altaic and Paleo-Siberian peoples, and some Native Americans like Na-Dene). The origins of Yukaghirs can be traced back to Neolithic Ymyyakhtakh culture (2200-1300 BCE) which was spread across Eastern Siberia, with some Ymyyakhtakh-like artifacts found as far as in Alaska and northern Scandinavia. After a series of smallpox epidemics, the total Yukaghir population dropped under 1 thousand by the end of XIX century, and survived only in two remote regions in the extreme north of eastern Russia. Long considered an ethnic group soon to be extinct, the Yukaghir population is now fairly stable in numbers, although they remain one of the smallest minority ethnic groups in Russia, and not many of them still speak their language.
Much like the language, the Yukaghir culture is quite unique, although sharing many elements in common with other indigenous cultures around the Arctic Circle. Yukaghirs are known for their surprisingly vast medical knowledge, for their pecular pictographic writing system (a very specialized one, mostly used in love letters and improvised maps), and a great degree of equality between men and women. The traditional lifestyles of Tundra and Kolyma Yukaghirs differ significantly, the former being nomadic reindeer herders, and the latter - sedentary hunters and fishermen.
Yukaghir languages have no apparent affinity to any other language family, although they do have some similarities to Uralic, Tungusic, and other Paleo-Siberian languages. A distant relationship to Uralic (Finno-Ugric & Samoyedic) languages had been proposed by several linguists, but it's far from proven. Out of the linguists whose works I've read, Vladimir Napolskikh is a supporter, and Ante Aikio is a critic. I'm not competent enough to judge on this matter, but from what I know about Uralic and Yukaghir languages, it isn't hard to believe that they're connected in some way. In particular, these Yukaghir songs remind me of Mari ethno-pop for some reason, and the singer herself reminds me of Marina Sadova :)
Now, a few words about her. Irina Duskulova was born on 17 June 1992 in Nelemnoye, a small settlement in Northeastern Siberia which is one of the few places where the Yukaghir culture and language are still alive to some extent. She's a niece of a well-known Yukaghir writer and poet Gennady Dyachkov, and apparently has inherited some literary talent from him, since she writes most of the lyrics for her songs by herself. Above is the video of her performance at the "Sana Yrya" song contest in Yakutia, which earned her the "Discovery of the year" award when she was 19 y.o. By now, she's a head of the "Yarkhadana" ethnocultural center in Nelemnoye, which hosts cutural events, promotes healthy lifestyles among the local population, and helps to preserve the Yukaghir folk traditions.
She's also a winner of numerous local beauty contests, and rightfully so, even if her appearance is definitely not something I used to see everyday. Look how beautiful she is in the beginning of the video above, when she appears on the stage in a short blue ethnic-themed dress which perfectly matches her appearance... Additionally, she has appeared in a music video filmed in Nelemnoye - the very first MV for an Yukaghir song:
These two songs are the only ones in Yukaghir I know. I could find another two songs of her in Yakut, and one more song that's standard Russian pop. By the way, she was happy to know that I'm going to post her songs on here (even if my blog isn't about such kind of music in general).
P.S. (2019) Irina has just released a couple of new songs in Yukaghir, and I decided to include them into a Youtube compilation, along with all the other songs by her I could find:
Aftermoon are a new band from Kiev who describe their music as just "melodic metal", and I can't come up with a more precise description either. It's indeed quite melodic, with a lot of electronic elements which are more on the "pop" side of things - yet it's still more "metal" than any release from Amaranthe, or any of the later works of Aftermoon's countrymen Semargl. Either way, "Phase One" is fairly pleasant to the ears (even if the second half of the album is, unfortunately, much less interesting than its first one), and their vocalist Valeri Lahtinen has a quite nice voice.
As it was described on metal-archives.com: it is "symphonic metal that's still metal". Surely it's far from being unique or innovative, but if you're looking for well-played and produced symphonic metal with dual (male and female vocals) heavily influenced by Epica, this album is for you. (Strangely enough for a metal album, it was released on Gravitator Records, a rather well-known label specialized in synthpop, gothic electro and industrial of all kinds).
By the way, their lead vocalist - Daria Zhukova a/k/a Eirene - was born on the same day as me (December 25). Here are some photos of her:
This project is named after a character in a Soviet sci-fi classic "Andromeda" by Ivan Yefremov, therefore it just have no right to be bad :) In all seriousness, it's a very unique kind of "cosmic" instrumental doom metal, not too heavy but very atmospheric. A kind of music I can listen to for hours non-stop without getting tired of it.
Erg Noor is (was? unfortunately, there are no news from EG since 2009...) a self-defined "misanthropic doom metal" one-man band started in 2004 by someone who was apparently born in our post-Soviet space but relocated to Germany during the 1990s (or maybe early 2000s) along with many other Spätaussiedler. There was an official site (ergnoor.de) with all his music being available for free download, but it isn't working anymore, and the current status of the project seems uncertain. I managed to find some photos of this guy which appear to be from 2011 (maybe a bit earlier), but that's pretty much all:
Some 10 years ago, I used to like a lot of death/doom metal from the 1990s. Now it's a much smaller part of my musical diet, but I still have a lot of love for this kind of music, and it's good to see this genre still being alive in the mid-2010s.
Doom Architect are a male/female duo originally from Izhevsk (later relocated to Moscow). Both of them are former members of a band named Волновой Фронт / Wavefront (sort of an original name for a heavy/power metal band, but the lyrical themes doesn't seem to be too original - "Fantasy, Epic Battles, Warriors..."). Now they seem to be focused on their other project Sky Crypt (melodeath), yet they already have released two albums under the name Doom Architect, one of which is presented here. It doesn't have to be too original or innovative - it's just death/doom metal played the way I like it. My personal highlight on this album: the track "Astral Wind" (specifically the keyboard work on there). In general, the release notes from Narcoleptica Prods. provide a pretty good description:
"The music on "Sententia Prima" is a special alloy of slow melodies
framed by heavy guitar riffs and keyboards atmosphere. Vocals also
connects it all together with texts narrating about the thoughts that
come to mind to anyone who travels inward, who are periodically is
beyond the categories of space and time, the person is continuously
separated from the conventional world".