Monday, August 7, 2017

Монумент Страха - "Весна" [1991]

Artist: Монумент Страха
Title: Весна
Genre: Post-Punk, Industrial Rock
Country: USSR
Release date: 1991

Track List:
  1. Ещё Есть Время
  2. Новогодняя Песня
  3. Jazz Как Ты
  4. Ино-о
  5. Я Скучаю
  6. О Дитя, Спи Спокойно
  7. Весна
  8. Эпилог
Here's a quite curious discovery I made just yesterday. I've never heard of this band before, but their sound is surprisingly close to that of the much better known industrial rock and no-wave bands of the 80s, to the point of being hard to believe it was recorded in Saint Petersburg (which was still called Leningrad back then).

According to Discogs, it was "recorded in February 1991 by Andrei 'Teacher' Nikolaev at Y.K.Home, Saint Petersburg. Edition of 30 copies". Apparently there were at least two more band members, one of which played such unconventional instruments as an electric saw and various metal objects. The end result is slow and repetitive post-punk/noise rock with distorted vocals. There's at least one more release from them, recorded in 1989-90, which I definitely will search for.


Мёртвые Уши - "Большое железо" [1978]

Artist: Мёртвые Уши
Title: Большое железо
Genre: Garage Rock, Proto-Punk
Country: USSR
Release date: 1978

Track List:
  1. Интро
  2. Амазонка
  3. Ковбой
  4. Дикий Jazz & Rock-n-Roll
  5. Solo 1
  6. Большое путешествие (фрагмент)
  7. Solo 2
  8. Большое путешествие
  9. Приезжайте к нам
  10. В дебрях
  11. Политинформация
  12. Верхом на осле
  13. Deutsches Lied
  14. Песня о неврастенике
  15. Дитя в раздумье
  16. Песня против нейтронной бомбы
  17. Бешеная овца
  18. Баллада о старом Джоне
  19. С одесского кичмана...
  20. Песня о пионерском галстуке
  21. Экспромт
  22. Всё!
Yes, that's a school band that would later (around 1981) become Облачный Край. It was recorded by S.Bogaev, O.Rautkin and the Lyskovski brothers when they all were in their teens. The only instruments they had back then were an acoustic guitar, a homemade 3-string bass, and a toy keyboard called "Mickey" (not counting various so-called "percussion" such as saucers and garbage cans). Strangely enough, the end result turned out to be much more listenable that you'd expect (at least listening to it isn't going to cause ear death, contrary to what the band's name would suggest). However, these tracks were never properly released until 2009, when this album (more like a collection of rehearsal demos) was included in the band's anthology.

Wednesday, August 2, 2017

Цыганята И Я С Ильича - "Гаубицы Лейтенанта Гурубы" [1989]

Artist: Цыганята И Я С Ильича
Title: Гаубицы Лейтенанта Гурубы
Genre: Noise Rock
Country: USSR
Release date: 1989

Track List:
  1. Гаубицы Лейтенанта Гурубы
  2. На Блаженном Острове Коммунизма
  3. Митрополит Ипполит
  4. Парики, Шиньоны, Косы
  5. Не Трожь!
  6. Импровизация На Тему Слов
  7. Песня Гвоздя
  8. Опоздавшая Молодёжь
  9. Хожу, Хожу
  10. Спать
  11. Русские
  12. Новый Год
  13. Ева, Адам
  14. Быстротечные Синьоры
  15. Письмо
  16. Гусар И Верка Зозуля
  17. Непобедимый
  18. На Острове Пасхи
  19. Кума
  20. Урбанизм-Детерминизм
  21. От Реальной Жизни К Мелодичному Мышлению
  22. Стачка Шахтеров В Кузбассе
This is a "supergroup" formed by some of the biggest figures in the Siberian punk scene (namely Egor Letov, Oleg "Manager" Sudakov and Konstantin "Kuzya UO" Ryabinin) in 1988. By that time, all kind of Russian rock already have broke into the mainstream, but Letov and his friends weren't happy about their sudden popularity at all. That was the main reason as to why their sound became more and more experimental by the end of 1980s, culminating in this project, which is considered by many people to be one of the first industrial rock bands in USSR/Russia.

They have recorded two albums in 1989 and 1990, the first of which has gained a cult status in the underground music circles. Well, here it is, and  it is definitely not the stuff for everyone. It's full of absurd lyrics sang in many different styles, from spoken word samples to aggressive schrieking, combined with the noisy wall of guitar sound. Truly something that only could be conceived and recorded in the atmosphere of late perestroika in the USSR. Not an easy listen for sure - but it wasn't intended to please the listener, after all.

БМ - "Конструкции Звуков" [1985]

Artist: БМ
Title: Конструкции Звуков
Genre: Minimal Electro, Synthpop, Experimental
Country: USSR
Release date: 1985 (2009 re-release)

Track List:
  1. В Машинный Мир
  2. Машинистка
  3. Постамент
  4. Деталь
  5. Завтра
  6. Автокоммутатор
  7. Звуковые Конструкции
БМ/BM was a moniker of Alexander Somov, the pioneer of Izhevsk electronic music scene (which was an unique cultural phenomenon, quite strong during the 1990s but unfortunately dead by now). He never received any sort of musical education, but it didn't stop him from recording 3 tape albums with the help of his friends at the discotheque he worked in. His traces were lost in the chaos of the post-Soviet 90s (there are rumors that he was murdered), but one of his tapes was unearthed and re-released on CD in 2009.

Musically, it strongly reminds me of some works by Kraftwerk, and I'd say that the title of this release is quite appropriate - it's indeed "sound design" or 'sound constructions" rather than music in the traditional meaning of this word. Of course you shouldn't expect much from a guy that was recording it at his home in 1985, using only two cheap tape recorders, yet it still is a very interesting artifact from the early days of Izhevsk scene.

Tuesday, August 1, 2017

V/A - "Russische Hometapers (De Fabriek Records & Tapes)" [1985]

"Quite a curious compilation this one, released by De Fabriek on some trip to Russia in 1985. Not really indexed, so its hard to say who does what here..."
Yeah, that's the problem - it's very hard to say which parts of this (indeed very curious) tape were produced by Soviet experimental musicians, and which - by their Dutch colleagues. From what I could find on the net, those Soviet musicians seem to be S.L. Krutikov (an Ukrainian musician and avant-garde artist), G. Feigin (a well-known violinist now living in Tokyo) and A. Tselikovski (not much info on him). They porbably should be credited for all the samples of Soviet music and radio broadcasts, while the Dutch staff of De Fabriek is most likely responsible for the noise parts and the cut-up technique.

The material on this 40 minutes long tape is quite diverse, ranging from the samples of classical music and military marches (often very martial industrial-like) to the samples of radio & TV broadcasts in various languages, harsh noise, and minimal synth parts. The download link is available in a blog linked above (which is a great resourse for every fan of obscure early industrial music, I must say).