Showing posts with label techno. Show all posts
Showing posts with label techno. Show all posts

Friday, February 7, 2020

Don Zilla - "From the Cave to the World" [2019]

Artist: Don Zilla
Title: From the Cave to the World
Genre: Techno, Dark Ambient
Country: Uganda
Release date: 2019

Track List:
  1. From the Cave
  2. Inside Me
Another interesting release from Hakuna Kulala - the debut 2-track EP by an Ugandan producer known as Don Zilla. The first track is techno/D&B, while the second, longer one is much closer to dark ambient:
"Following up his remixes of STILL’s ‘I’ album cuts in 2018, Don Zilla bares his teef in both parts of ‘From The Cave to the World’, first churning up a viscous groove full of shadow-boxing drums and gutter bass distortion on the cusp of dubstep rave and halfstep D&B with ‘From The Cave’, before opening up a stargate like portal in his studio with 12 minutes of plunging beatless depth and unheimlich terra forming in ‘Inside Me’, and in a way recalling early Emptyset or stare-out Prurient piece"

Slikback - "Tomo" [2019]

Artist: Slikback
Title: Tomo
Genre: Techno, Rhythmic Noise
Country: Kenya
Release date: 2019

Track List:
  1. Sonshitsu
  2. Gemini
  3. Kyokai
  4. Karum
  5. Zuhura
  6. Rage
Speaking of underground electronic music labels, one of my most interesting recent discoveries is Hakuna Kulala, coming from Uganda of all places. Yes, East Africa actually has a thriving electronic scene, and Hakuna Kulala is specialized in club explorations from the Kenyan, Ugandan and Congolese electronic underground and beyond. All (or nearly all) Hakuna Kulala releases have a distinctive cover art style of geometric patterns on black backgound.

"Tomo" is a 6-track EP by Slikback (real name: Freddy M Njau), an electronic producer from Nairobi, Kenya. Out of all releases on Hakuna Kulala, this one fits the spirit of my blog the most, becoming progressively more experimental towards the end, and even stepping on the territory of rhythmic noise in the last track:
"At the vanguard of a vital East African electronic music scene, Slikback combines local rhythmic heritage with sheer, abstract electronics in ways that utterly fascinate bodies on the ‘floor. Stepping ahead from his debut EP in 2018, he offers twice as much material and amps up the energy and noise in ’Tomo’, surely setting the benchmark for anything to follow in its wake in 2019.

Between the Nostrofmo-like atmosphere and mutant footwork-like percussive intensity of ‘SONSHITSU’, thru the dissonant dancehall swagger of ‘Gemini’ and the hyperhall push of ‘Kyokai’, to the polymetric fizz and parry of ‘Karuym’, and the pelting hardcore of ‘Zuhura’, Slikback’s music will leave nobody wanting on the ‘floor. But if you’re the insatiable type, then the inferno of his parting shot ‘Rage’, switching from full frontal rhythmic noise to industrial swagger and back, will polish you the fuck off"

Saturday, February 1, 2020

Yunclas / Leila - "Voluntary Punishment ​/ ​Ziyara" [2019]

Artist: Yunclas / Leila
Title: Voluntary Punishment ​/ ​Ziyara
Genre: Ambient, Techno
Country: Spain / Brazil
Release date: 2019

Track List:
  1. Voluntary Punisment
  2. Ziyara
A few months ago I made a post about Pierre Noir, which is a very unorthodox "blackened techno" project linked to Yunclas, and here's another experimental project which is a collaboration between Yunclas (Asturias, Spain) and Leila (Brazil). This release is best described as ambient/techno with Arabic reminiscences (even if the cover art looks more suitable for a noise album), and reminds me of some releases by Cracked Core and other Muslimgauze-influenced electronic projects I've posted on here before.

Friday, August 30, 2019

Pierre Noir - "Licantropia is the relationship of the barbarized mankind" [2019]

Artist: Pierre Noir
Title: Licantropia is the relationship of the barbarized mankind
Genre: Industrial/Techno, Black Metal
Country: Spain
Year: 2019

Track List:
  1. Licantropia is the relationship
  2. Barbarization of mankind
Pierre Noir is an anonymous project from Spain (apparently somehow connected to Yunclas), that's producing a rather strange kind of industrial techno with black metal overtones. Surely it's not for everyone's taste, but it's original. At least I can't name any acts that sound similar to Pierre Noir, although "Esplendor Geométrico meets black metal" would be a fairly accurate description. The comparison with EG is quite obvious since they're the only classic industrial act in Spain that has influenced a lot of industrial/rhythmic noise artists, spanish and non-Spanish alike.

The name of the project may sound like a parody of Peste Noire, but it's actually a reference to the black stones (like the well-known one in Mecca) that were worshipped in many pagan cultures (that's also probably what the Candlemass song "Black Stone Wielder" was inspired by). The apparent parallel in northwestern Russia is the worship of "blue stones" which is probably of Meryan origin ultimately.

Monday, April 1, 2019

Nambavan - "Last Night The DJ Shaved My Ass" [2006]

Artist: Nambavan
Title: Last Night The DJ Shaved My Ass
Genre: Experimental, Minimal Techno
Country: Russia
Release date: 2006

Track List:
  1. Last Night The DJ Shaved My Ass
  2. Shooting On The Gay-Party
  3. Sad Song
  4. Tunnel
  5. You Should Be Dancing Dub
Honestly, until today I never thought I'd ever post anything related to Nambavan on here. But today's the 1st of April, so why not? Moreover, this particular album suprisingly fits the spirit of my blog quite well, which can't be said about the rest of Nambavan discography.

Nambavan (pronounced as "number one" with a thick Russian accent) is a moniker of Linar Bilalov, who is also known as an owner of a now defunct site bratan.info (which was pretty much the 2000s equivalent of Life of Boris). He has released several albums of trashy electronic music with offensive lyrics, which would be best described as "unintelligent dance music" (in fact, it sounds more like electroclash than anything else). While there's not much in the discography of Nambavan worth listening to, his cartoonishly anti-intellectual image has became a meme that's still remembered after almost a decade of inactivity. The last.fm biography of Nambavan is worth checking out too:
Using a broken $3 mic, an $80 guitar and an old Casio keyboard, Nambavan puts together dirty disco tracks that will pizdelovka you on the dance floor. Time and space traveler Nambavan brings you the nasty eighties punk pop that the USSR never had, coveting and cultivating dancefloor rhythms, analogue distortions and droll hip hop references.
At his home in Kazan, Republic of Tatarstan, where few make their own music, Nambavan started out by enrolling in a music school to learn the guitar, but was expelled for not being able to remember songs. He moved on to the digital world, bought his first PC in 2000 and started composing.
This album, however, is very different. With its name being an obvious pun on "Last Night The DJ Saved My Life" (and no, "Shooting On The Gay Party" obviously isn't a reference to the Orlando massacre which happened a decade after this track was recorded, although cynical references of this kind are very much in the habit of Nambavan), it's the only entirely instrumental album of Nambavan which offers a pretty interesting mixture of noises, clicks and other experimental sounds. Headphone listening is recommended:
Nambavan’s first album without vocal and electronic melodies, written down after two weeks of experiments with analog noise, clicks, delays, highpass house filters and broken groove rhythms.
You will feel how music collapses in your head.
All in all, I haven't expected anything like this from Nambavan, and if you're a fancier of obscure experimental electronic music, it will be a very interesting find for you... or maybe not. But seriously, what would you expect from an album that's literally titled "Last Night The DJ Shaved My Ass"?..

Sunday, April 22, 2018

Автомат DL-440 - "Жить в огне" [1989]

Artist: Автомат DL-440
Title: Жить в огне
Genre: Techno, Old School EBM
Country: USSR
Release date: 1989

Track List:
  1. С тобой
  2. Первый
  3. Жить в огне
  4. Рейтар
  5. Сто лет
  6. Помни
  7. Конвой
  8. Боль
  9. Ещё
  10. Пластик
Just look what I've found - a very rare example of early Soviet EBM, recorded in 1989 in Western Siberia using a tape recorder and a primitive Yamaha computer. The band was a duo consisting of Pavel Dudin (vocals & lyrics) and Andrei Udot (music), former members of a band called "The Hedgehogs" (no idea what sort of a band it was). Initially they were recording their stuff at home, but this album was recorded at a club where they were working at that time. Their dream was to perform on stage in Moscow wearing Robocop costumes, but unfortunately, the band broke up due to an internal conflict after an year or two of existence, without gaining any recognition.

Despite the (expectedly) poor quality of recording, their one and only tape is very interesting, and suprisingly similar to the Western EBM scene of that time, although I seriously doubt they were aware of this term (as all the electronic music of this sort was lumped into the "techno" category). The lyrics are said to be about "fantastic heroic deeds", which is fairly in line with the militaristic image of the early EBM bands as well. Overall, this release is a very valuable historical document at the very least, and definitely shouldn't be missed:

Thursday, October 12, 2017

Rad Machine - "Taiga" [2015]

Artist: Rad Machine
Title: Taiga
Genre: Ambient, Techno, IDM
Country: Russia
Release date: 2015

Track List:
  1. Taiga
  2. Dirty Point
  3. Dansugosuto
The debut EP by Rad Machine, released a couple of years ago. Maybe it's slightly less mature than "Itkul Afterglow" in terms of sound, but it's still an interesting release recommended to any fan of obscure electronic music.

Wednesday, October 11, 2017

Rad Machine - "Itkul Afterglow" [2017]

Artist: Rad Machine
Title: Itkul Afterglow
Genre: Ambient, Techno, IDM
Country: Russia
Release date: 2017

Track List:
  1. High Tide
  2. Outskirt Sound 5
  3. Coluber
  4. Leaves
Rad Machine is an one-man electronic project by Valery Melekhin from Ekaterinburg, started as an ambient project but incorporated more techno and breakbeat elements into his music later on. Not much else is known about him, but his music is pretty good, even I normally don't listen much to the electronic music of this kind. This 12'' was presented on the Urals Industrial Biennale, and some people on there even thought they were listening to some previously unreleased EP by Aphex Twin :) Release notes:

"Itkul Afterglow will follow Melekhin's appearance on an Opal Tapes compilation of Russian music, titled USSR, with a set of cuts that run the gamut from deep, reverb-drenched outings to raw machine-driven funk.

The EP will drop digitally, on 12", and cassette, which will also feature four bonus tracks not on the digital and vinyl releases. The cover art for the release was sourced from an old postcard of Lake Itkul, a highly inspiring travel destination for Melekhin over the years"


Tuesday, April 12, 2016

Kraftwerk - "Die Mensch-Maschine" [1978]

Artist: Kraftwerk
Title: Die Mensch-Maschine
Genre: Electronic, Techno
Country: Germany
Release date: 1978

Track List: 
  1. Die Roboter
  2. Spacelab
  3. Metropolis
  4. Das Model
  5. Neonlicht
  6. Die Mensch-Maschine
Bonus Tracks:
  1. Die Roboter (Single Edit)
  2. Spacelab (Single Edit)
  3. Neonlicht (Single Version)
  4. Die Mensch-Maschine (Remix)
  5. Die Mensch-Maschine (Album Edit)
  6. Das Model (Live)
This album might be not the most obvious choice to post on the Cosmonautics' Day, but it isn't completely unrelated either. Back in the time, it was considered one of the most futuristic and innovative recordings, not to mention being an immensely influental release on the early electronic (particularly synthpop) music scene. However, it's much more simplistic and accessible to an average listener than most earlier works by Kraftwerk, especially when it comes to the tracks like "Das Model".

The visual style of Kraftwerk as it was presented on the cover art of this album, primarily based on the aesthetics of constructivism, also had a great influence on the image of many later industrial and synthpop bands. Overall, this is an awesome classic albums that shouldn't be missed, especially if you're interested in sci-fi and transhumanist themes in art. I personally recommend this (original) version of "Die Mensch-Maschine", with most of the lyrics in German (and, at times, Russian). The Enghish versions of the same songs ("The Robots", "The Model", "Neon Lights" etc.) just don't have the same effect on me.

Tuesday, October 2, 2012

Complex Numbers - "Утро Нового Тысячелетия" [2002]

Artist: Complex Numbers
Title: Утро Нового Тысячелетия
Genre: Techno, Futurepop
Country: Russia
Release date: 2002

Track List:
  1. Эволюция
  2. Утро нового тысячелетия
  3. Пробуждение
  4. Экспансия
  5. Солнечное затмение
  6. Цветущая земля
  7. Время
  8. Бесконечный путь
  9. Трилогия
  10. Неизбежность
  11. Ещё не поздно начать всё сначала
  12. Inevitability (bonus - Russian SE)
  13. Inevitabilite (bonus - French SE)
The second album from Complex Numbers, which is probably the best in their discography (if Victor Argonov's solo work "2032: A Techno Opera" doesn't count). Just like their debut album, this one contains only two tracks with vocals, and they're clearly the best on the whole album. I also added two re-arranged versions of 10th track to the archive (in Russian and French, from CN's maxi single "Last Ring" released in 2009). BTW, I especially like the voice of their new vocalist "Ariel", which you may hear on these two bonus tracks. The lyrics are excellent as well, dealing with quite serious matters such as transhumanism, "hard" science fiction, and the future of the humankind. I think this video will give you an idea of what their music is about:

Complex Numbers - "Земное Притяжение" [1998]

Artist: Complex Numbers
Title: Земное Притяжение
Genre: Techno, Futurepop
Country: Russia
Release date: 1998

Track List:
  1. Вcтупление
  2. Пути цивилизаций
  3. Над землёю алеет закат...
  4. Солнечный дождь
  5. Подводный туннель
  6. Разбег
  7. Тайфун
  8. Минбарский снег
  9. Ускорение
  10. Конвейер
  11. В полёте
  12. Две системы
  13. Земное притяжение
Complex Numbers are an "art-techno" project started in 1996 in Vladivostok by Frol Zapolsky and Victor Argonov (the latter being one of the most well-known transhumanist activists/publicists in Russia). After more than a decade of being largely unknown, CN suddenly became a sensation in the "intellectual" segment of Russian internet, thus finally reaching their intended audience. "Земное Притяжение" ("Earth's Gravity") is their debut release consisting of mostly instrumental tracks recorded during 1996-1998. However, my favourites are two tracks - #3 & #8 - with beautiful female vocals and sci-fi themed lyrics. Sadly there are only two of them...