
Year: 2002
Track List:
- Machinery
- The Recycler
- Violator
- Synthetic
- Disillusion
- Virus
- Resurrection
- Disease
- Dynamo
- The Last Act
- Biomechanoid
- Secret Face (Death cover)

Track List:
"When it comes to classifications as "modern electro metal" or "electro gothic metal" and similar descriptions, I'm always a bit suspicious, and that's the thing with this French outfit named Elyose. I must admit that I wasn't familiar with this name before the release of this album, even though they were formed in 2009 and since then released one EP and one album. Ipso Facto is their sophomore full-lenght and if we believe to their words, it's heavier and more focused on energy than were their previous releases. It's interesting to see that the main member and composer here is their attractive vocalist Justine Daaé, and not only that she's good looking, the girl is also trained classical vocalist and she proves that on every single track up here. Well, like in many cases before, even though the quality of music on Ipso Facto is above average, it somehow doesn't have enough of that little something to reach a bit higher and most of the time it just sounds too mellow. Let me explain... >>>"Musically, it falls in the broad category of "female-fronted metal" with a lot of electronics, but I wouldn't call it "industrial metal" as some reviewers did. However, some of their tracks are fairly close to it, such as "Plus Qu'Human", which is undoubtedly the best piece off this album:

Second album by Pulsar, which is in my opinion better than their debut "Pollen". Excellent progressive/space rock, would be a perfect soundtrack for some French sci-fi movie or cartoon like "Les Maîtres du Temps" (I don't like its original soundtrack, except for the closing theme). After "The Strands Of The Future" Pulsar released one more album called "Halloween" (which wasn't as popular as their first two albums due to rise of punk rock scene, which seriously diminished the fanbase of classic rock), and then split up. Personally I found "Halloween" not as interesting as either "Pollen" or "Strands of the Future", but it's still definitely worth listening (won't post it here, though).

And one more classic progressive/space rock release that may appeal to those who liked "Martian Chronicles" by Solaris. Listen to the whole album on youtube:
Along with Univers Zero, Art Zoyd are probably one of the best known bands in the whole Rock In Opposition movement. Most of their albums aren't that hard to find, so I won't post their complete discography here. However, I'd like to post one of their lesser known, but nevertheless great albums - "Le Mariage Du Ciel Et L'Enfer". Recorded in 1984, this album isn't as "electronic" as their later releases, but no less "dark" and experimental. According to the release notes, "Le Mariage Du Ciel Et L'Enfer" is actually music for some ballet by Roland Petit. Unfortunately, my knowledge of ballet is very limited, so I won't comment on this...

Another French avant-prog band, strongly influenced by Rock In Opposition movement (but significantly heavier than most RIO bands). Here's their third and most recent album, "ZePTo" (capitalization rule - all consonants are in capitals, unlike the vowels). Besides the obvious references to Crowley ("Do What Thou Wilt") and Lovecraft ("The Old Ones"), the album has a strong futuristic feel, and creates a "cosmic" atmosphere. Happy Cosmonautics Day, BTW!

...And speaking of Magma - here's their most well-known album, "Mekanïk Destruktïw Kommandöh", released in 1973. MDK is considered to be a seminal work for the whole zeuhl genre, and a very original release even by nowadays standards. At first listening, my impression was like "WTF am I listening to??!!", but after ~10 re-listenings it became like: "Wait... but this is great!!!". Need I say more? Here you can read a detailed review of MDK and an explanation of it's sci-fi concept. I can only add that the only downside of this release, IMO, is that the Kobaïan language turned out not quite as exotic as I expected. Bands singing in made-up languages always fascinated me, but Kobaïan sounds quite like Dutch or some weird German dialect, not something that I would expect from an extraterrestrial language...

"SHUB-NIGGURATH was formed in 1983 and consisted of six musicians: Allan Ballaud on bass, percussionist Franck Coulaud, Frank Fromy on guitar and percussion, Jean-Luc Herve on harmonium, piano and organ, vocalist Ann Stewart, and a trombone/bass player Veronuque Verdier. The band released their first untitled demo on 1985 and got good feedback from critics. The promising debut album, "Les Morts Von Vite", was released on Musea label in 1987. The album received good reviews and is their finest moment: it caught the band at the peak of their creativity. Musea reissued this album on CD in 1997, including two rare bonus tracks. The debut sold well and later, in 87, SHUB NIGGURATH's song appeared on Musea's Zeuhl compilation "Enneade", a tribute to the legacy of Magma. [...] SHUB-NIGGURATH's best album is the debut, and it's also the best place to start exploring their music. However, their career has been fairly consistent and the other two albums are quality efforts. If you like dark, brooding mix of RIO and Zeuhl you will like SHUB-NIGGURATH. their avant-ish dark prog with a sharp edge is both unique and challenging"
While I can't say this album reminds me of Magma, it's definitely a classic and should be recommended to anyone who wants to hear some progressive rock that's really hard to get into. The atmosphere on "Les Morts Vont Vite" is quite dark, but what else to expect from a Lovecraftian band?..
One more album released in 1971 that was influenced by early hyper-progressive rock and radical politics of May 1968. Komintern, a French band formed in 1970 and disbanded in 1975, are often labeled as "the first Rock In Opposition band". While I can't fully agree with that (as the whole RIO thing started in 1978), Komintern definitely were one of the most important precursors to the whole RIO movement. Can't believe "Le Bal Du Rat Mort" was released in 1971!
P.S. Some members of Komintern were also active in an avant-garde act called Red Noise. While I couldn't find any of their recordings, their name sounds promising, and I wonder if they sounded at least remotely similar to the earliest 70s' industrial acts. The whole thing of mixing avant-garde (anti-music) and radical political imagery strongly reminds me of Throbbing Gristle, early Laibach and the early industrial scene in general. German Oak, Faust and Neu! were called "proto-industrial" on several occasions, but I think it can be applied to a much wider spectrum of 70s' avant-prog.
Artist: A.n.K.h.
Artist: Paris Violence
Artist: Amesoeurs
"We, amesoeurs, are the children of this sad and metallic century; receptors capturing the aggressive and unhealthy waves of the industrial era. We have always been equally disgusted and fascinated by everything relating to cities and urban lifestyle, that is to say the endless rows of grey and threatening buildings, the throng of souls that they accomodate, the perpetual motion, the danger, the winding alleyways, the smoky and dubious bars, old graffitis, train stations, casinos and other hostile gaming rooms, the freezing neon lights, nightlife, technology, futuristic buildings, sex, depravation, poverty, anxiety, filth, the suffocating smells of pollution combined with sweat, shit and piss.