Sunday, May 31, 2015

Senmuth & Lyuba Kolesnik (Nakka) - "Coatlicue, The Goddess Of Earth And Fire" [2014]

Artist: Senmuth & Lyuba Kolesnik
Title: Коатликуэ, богиня земли и огня
Genre: Industrial Folk Metal, Ambient
Country: Russia
Year: 2014

Track List:
  1. На вершине Змеиной горы (intro)
  2. Коатликуэ, богиня земли и огня
  3. Коатликуэ, богиня земли и огня (instrumental)
  4. Химоайан
Here's one of two singles which are the result of a recent collaboration between Senmuth and Lyuba Kolesnik, the vocalist of Nakka. It also contains the instrumental version of the title track, and intro/outro (both are instrumental too). The music generally reminds me of Tenochtitlan rather than of Senmuth's solo works. Like in case with "Tezcatl" by Tenochtitlan, "Coatlicue..." is a concept work inspired by the Aztec mythology.

Friday, May 22, 2015

Nakka - "Человек-Завод" [2013]

Artist: Nakka
Title: Человек-Завод
Genre: Death Metal, Grindcore
Country: Russia
Year: 2013

Track List:
  1. Intro
  2. Горб
  3. Necroelectro
  4. Чугун
  5. Девушка и станок
  6. Стальной вол
  7. Баба из запчастей
  8. Фрезеровочная
  9. Mirror
  10. Железный лес
  11. За_вод(с)кой
  12. Outro
Like Deflowering Brain, Nakka falls into the category of "comedy grind", yet they're far more talented and creative than the majority of bands which work in this niche. The key distinguishing feature of Nakka is their extensive use of industrial aesthetics, while their music itself is more or less straightforward death/grind of the Czechoslovak school. The only thing "industrial" about their sound is the extensive use of voice samples from various sources (mainly from the old soviet movies); that said, it's very well played and recorded. The vocals are female, although it doesn't make them sounding any less brutal :3

Their lyrics and imagery are a different matter though. The lyrics are mostly about the everyday life of industrial workers and the blurring of lines between humanity and machinery - both metaphorically (as in "working hard all your life, like a cog in a machine") and literally (as in Shinya Tsukamoto's cult movie "Tetsuo: The Iron Man"). Nakka's approach to these matters is entirely humorous, though, as opposed to the early industrial death metal bands such as Dead World.

I'd translate the title of this album (which is Nakka's first full-length release) as "Human Factory". You can listen to it on Bandcamp, or even buy it for a symbolic price of 1$. Be sure to also check their music videos, which are pure insanity created with a very limited budget:

Sunday, May 17, 2015

Deflowering Brain - "Mundus Bellum" [2013]

Artist: Deflowering Brain
Title: Mundus Bellum
Genre: MDM, Grindcore
Country: Russia
Year: 2013

Track List:
  1. Mundus Bellum
  2. Pulchra Res Homo Est, Si Homo Est
  3. Amicus Humani Generis
  4. Errare Humanum Est
  5. Noctem Bellatores
  6. De Mortuis Nil Nisi Bonum
  7. Terra Incognita
  8. Deffuncti Injuria Ne Afficiantur
  9. Sic Transit Gloria Mundi
  10. Divisio "Galactic"
Just today I've read a review of some old grindcore demo, which ended with such words:

"You wonder why I don't review grindcore all that often? This is why. The genre is mostly full of shitty talentless bands who put absolutely no effort into anything..."

Couldn't agree more, especially when it comes to all these "comedy grind" bands which completely dominate the ex-USSR grindcore scene. This particular album, however, is another case. I couldn't find much information about Deflowering Brain, except for their place of origin (Moscow), but their music isn't bad at all. While they still are a "comedy grind" band, their lyrical themes are post-apocalypse / sci-fi (this album is about a world war against alien invaders, for example), which is surely more original and interesting than the usual porn/copro/gore nonsense that most grindcore bands are writing songs about. There's also a nice melodic death metal vibe to it, mostly dur to use of old Soviet/WWII melodies. Heroic grindcore FTW!

Friday, May 15, 2015

Dark Lunacy - "The Diarist" [2006]

Artist: Dark Lunacy
Title: The Diarist
Genre: MDM, Symphonic Metal
Country: Italy
Year: 2006

Track List:
  1. Aurora
  2. Play Dead
  3. Pulkovo Meridian
  4. The Diarist
  5. Snowdrifts
  6. Now Is Forever
  7. On Memory's White Sleigh
  8. Heart of Leningrad
  9. Prospekt
  10. Motherland
  11. The Farewell Song
Wait, this album wasn't on my blog yet? It surely should be, because it's an excellent release - one of the best of 2006, as far as my taste is concerned.

Dark Lunacy is one of two bands I know whose style has been dubbed "dramatic metal" (the other one being Blackthorn) - mainly for the extensive use of violins, which, according to the band's former guitarist, "give a touch of dramatic and nostalgic to everything". This album, however, doesn't feature violins (only piano/keyboards) - which doesn't make it any less "dramatic", though. The music actually would be quite close to the melodic death metal of the Scandinavian school, if not for this "dramatic"/symphonic component. The vocals are mostly male growling, although there's also some clean female vocals on "Snowdrifts" or "On Memory's White Sleigh" (the two best tracks on the whole album, in my opinion, and their attempts to sing in Russian on the latter track aren't bad at all). There's also a couple of "skits" (not sure if this word is applicable to non-rap music, though) and samples of WWII music here and there, as "The Diarist" is a concept album dedicated to the siege of Leningrad:


Too bad they probably won't release anything else like this, as almost all of the original band members have left Dark Lunacy after the release of "The Diarist". The subsequent album "Weaver Of Forgotten" turned out to be quite weak, and the last one up to date, "The Day Of Victory", is similiar to "The Diarist" but definitely doesn't come any close to its level. Well, at least we still have a nice photo of them on the Red Square in Moscow, similar to the ones which Metallica, Pantera, Rise Against and The Real McKenzies did there. No idea when it was taken, but probably about the same time "The Diarist" was released:

Sunday, May 10, 2015

March Of Heroes / Phragments / Across The Rubicon - "Scontrum Act VIII" [2008]

Artist: March Of Heroes / Phragments / Across The Rubicon
Title: Scontrum Act VIII
Genre: Martial Industrial
Country: France / Slovakia / Poland
Year: 2008

Track List:
  1. March Of Heroes - Stalingrad... Our Last Hope Act 1
  2. March Of Heroes - Stalingrad... Our Last Hope Act 2
  3. March Of Heroes - Stalingrad... Our Last Hope Act 3
  4. Phragments - Utopia
  5. Phragments - Eruption
  6. Phragments - Tragedy
  7. Across The Rubicon - A Soldier
  8. Across The Rubicon - Survivors
  9. Across The Rubicon - A Ghost
"Scontrum Act VIII" is the 8th installation in the "Scontrum" series of (mostly) 3-way splits released by a Poland-based label War Office Propaganda. This particular split features March Of Heroes, Phragments and Across The Rubicon - from France, Slovakia and Poland respectively. "Act VIII" stands out of other martial industrial compilations because its participants aren't only making good music but also certainly aren't Nazi Germany sympathizers which are too commonly found in martial industrial and neofolk scene. Well, at least March of Heroes and Phragment certainly aren't. I don't know much about Across the Rubicon, but their part of the split is the most interesting music wise. As for the download link, try this Chinese site (it isn't hard to locate the download button there ;))

Saturday, May 9, 2015

Vladimir Harkonnen - "Siegesstimme" [2005]

Artist: Vladimir Harkonnen
Title: Siegesstimme
Genre: EBM, Dark Electro
Country: Russia
Year: 2005

Track List:
  1. Salz der Erde
  2. Re-Format
  3. Siegesstimme
  4. Radioaktivität [Hiroshima]
  5. Lichtende
  6. Siegesstimme [Neuro Remix]
Here's some military EBM which I think is relevant to post today (especially the title track, "Siegesstimme"). Vladimir Harkonnen is an industrial/electronic musician from Tomsk (Western Siberia) who was the founding member of an industrial metal/NDH band Panzertank, which was one of the best local Rammstein-style bands back in the middle of 2000s. If I'm not mistaken, he has German and Korean heritage. The moniker "Vladimir Harkonnen" is of course taken from Frank Herbert's Dune, although Vladimir might very well be his real name.

"Siegesstimme" is his debut EP which he recorded solo shortly before starting Panzertank. The sound on there might be a bit "naive" for nowadays' standards, but back then it was fairly good military EBM with a slight "8-bit" touch. The title track is certainly the best, yet there's a lot of other interesting material on this EP, including a cover of "Radioaktivität" by Kraftwerk. All the tracks are instrumental (not taking in account some voice samples here and there).


(in case if something happens with the download link above, here's an alternate free download link)

Thursday, April 30, 2015

Silent Woo Goore - "Toleźe" [2012]

Artist: Silent Woo Goore
Title: Toleźe
Genre: Folk-Rock, Progressive Rock
Country: Russia (Udmurtia)
Year: 2014

Track List:
  1. Kyrdźasa leźom ali
  2. Toleźe
  3. Gureź örjos
  4. Emeźe
  5. Kyźy meda lyktidy
  6. Töl
  7. Sirotа kyrdźan (Сиротская)
  8. A-i
  9. Alama ujvöt
  10. Chagyr dydyke
  11. Silent Woo Goore
To my knowledge, Silent Woo Goore, formed in mid-2008 in Izhevsk, are the only folk-rock band singing in Udmurt language. While the first word in their name is obviously English, "Woo Goore" is in Udmurt and (according to the band) means "song of water". So, "Silent Woo Goore" = "Silent Song of Water".

When I stumbled upon this album for the first time, it was tagged as "indie", so I initially assumed it to be some hipster garbage. It, however, turned out to be quite interesting and well played folk-rock with female vocals. "Toleźe", meaning "My Moon" is their first and only album up to date. It was recorded in August 2011 in Finland (except for the track "Töl", recorded one month earlier in Izhevsk). The digital version of "Toleźe" (including mp3s, album covers and song lyrics) is completely free to download.

After "Toleźe", SWG haven't released anything new so far, although their vocalist Svetlana Ruchkina has a solo project called Ladi Sveti. However, SWG actively perform live in their home region - just search for "Silent Woo Goore" on Youtube. Here's, for example, a video of them performing with a symphonic orchestra of Udmurtia:


They also have participated in the Liet International 2011 festival. As I already said in my entry about Marina Sadova, Liet Int. is an annual festival for the artists singining in minority languages. By the way, there was another Udmurt band (called IB&4CP) at Liet Int. 2012.


Monday, April 27, 2015

VÖR - "Kudym Osh" [2014]

Artist: VÖR
Title: Kudym Osh
Genre: Atmospheric Black/Pagan Metal
Country: Russia (Komi-Permyak Region)
Year: 2014

Track List:
  1. Kudym Osh I
  2. Kudym Osh II
  3. Kudym Osh III
  4. Kudym Osh IV
  5. Kudym Osh V
  6. Kudym Osh VI
  7. Kudym Osh VII
  8. Kudym Osh VIII
VÖR is an one-man project started by Egor "Nordhagen" with an intention of being the first black/pagan metal project with lyrics based on the Komi mythology. The music is based on atmospheric black metal, with addition of some folk elements.

The production isn't crystal clear for sure, but it's suprisingly good for a self-produced underground black metal album. The lyrics are in Russian, and Egor's vocals are pretty decipherable for the most part. I'm not sure if it's a good thing, though, especially taking in consideration that Egor apparently can speak Komi fluently. There already are enough Russophone black and pagan metal bands, why not have one singing in Komi for a change?..

The music isn't bad at all, especially for the debut release of an obscure one-man project, and the atmosphere of "epicness" is certainly present on this album, but apart from the lyrical matter (Komi mythology), it doesn't particularly stand out from numerous other releases of this kind. If you want something similar, but more folk metal-based and with lyrics in a Finno-Ugric language, check out Zergeyth.

Pairem - demo singles

Artist: Pairem
Title: demo tracks
Genre: Folk Metal, Symphonic Metal
Country: Russia (Mari El)

Track List:
  1. Сола вуйыштет
  2. Олык воктен
  3. Какшан воктен
  4. Мари калыкем
  5. Эн лишыл айдеме
Finally, after listening to a lot of Mari pop-folk, I found something that can be called Mari folk metal. Pairem seem to be an extremely obscure band, yet I managed to find some info about them (but not much).

Pairem was formed in 2008 by the members of a non-metal band "Brodyagi" and the vocalist Elvira Kuray with an intention to play folk rock/metal with lyrics in Mari language. They took part in a folk music festival IFUSCO in Helsinki (Finland) in May 2008, and recorded at least 5 demo tracks in late 2000s. By now, the band don't seem to be active.

The tracks which I could find mostly sound as generic female fronted symphonic metal with some folk elements. Sounds nice but nothing special, although I should give them a credit for being the first metal band to sing in Mari.

Tuesday, April 7, 2015

Risha - "Птаха" [2011]

Artist: Risha
Title: Птаха
Genre: Industrial Folk Metal
Country: Russia
Year: 2011

Track List:
  1. Голубка
  2. Масленица
  3. Птаха
Risha is an industrial folk project of Irina "RishaFox" Lvova, who played bass and cello in several bands that are well-known locally, including Deform, Tracktor Bowling and Arkona. With all honesty, most of her other bands are playing not very interesting nu-metal, and I'm not a big fan of bands like Arkona either (even though I've seen them live a few years ago, and it wasn't bad at all). Risha, however, is a quite interesting project, being a rare combination of industrial/modern metal and traditional folk. They also were one of the first to combine folk with drum'n'bass (along with Нейромонах Феофан). Irina's voice is a bit too low-pitched for my taste, but she isn't a bad singer at all.

Here's, in my opinion, the best their song, featuring Lousine "Lou" Gevorkyan (Tracktor Bowling, Louna) as a second vocalist:


It's from their full-length album which also came out in 2011. While their full-length is copyrighted and better be bought, this single is released under the terms of CC BY-NC-ND license, and therefore completely free:



Marina Sadova - Mari El folk/pop

Speaking of folk music in Finno-Ugric languages, I'd like to present you Marina Sadova from Mari El. Her native Mari language is definitely more "exotic" than Finnish or Hungarian, but I live not so far from Mari El and have more personal connection to that place than to the other regions populated by Finno-Ugric people. You may learn more about that place with help of this wikipedia page (which is quite biased, though).

From my impression, Mari language sounds equally distant from both Finnish and Hungarian (for my ears, it's more resembling Hungarian than Finnish, but in linguistics, Mari is grouped together with the latter). I discovered Marina Sadova because of this video, which was spammed by someone on 2ch.hk's /wm/ board like there's no tomorrow, and has spread from there to many English-speaking imageboards as well:


However, I like this one better, even if it sounds rather "pop" than "folk":


This is the case with most of her songs, but it's definitely not the worst kind of pop music (at least she actually can sing, unlike a lot of other pop singers):


Here's her performance at the Mari El Radio concert in 2013, with two her friends as stage dancers. While it also doesn't have much to do with the folk stuff like in the first video, you still can enjoy beautiful and talented Mari girls doing their best on stage :) As far as my tastes go, it's especially nice to see Marina wearing a short dress and high heels (and her two long-legged friends look very good too):


---
If I'm not mistaken, the video below was filmed in Yurino. I've been to there around 15 years ago, when I was ~12 years old, and it's the only place in Mari El I've visited so far (although I plan to visit Yoshkar-Ola or Kozmodemyansk this summer):



The biggest Marina's success so far is her performance on Liet International Festival 2014 - a festival for the bands and artists singing in minority languages which took place in Oldenburg (Germany). Here's her profile on the official site of the festival (albeit it isn't very informative).


I couldn't find much more information about her, except for her date of birth (3 May 1997). Here are all her songs I could find, including the Russian versions of two of her songs, and one song she performed as a part of  the "Yandar" duo:


Looks like Mari El has a thriving pop-folk scene (other Finno-Ugric regions near me, like Mordovia or Udmurtia, doesn't seem to have anything like this), with mostly female singers, but I haven't explored it thoroughly yet. Here's another good song of this kind, although the singer's voice isn't quite as strong as Marina's:


Thursday, April 2, 2015

Loituma - "Kuutamolla" [1998]

Artist: Loituma
Title: Kuutamolla
Genre: Folk
Country: Finland
Year: 1998

Track List:
  1. Hiekkarantakuhertelua
  2. Tähden lentäessä
  3. Kultaansa kuuleva
  4. Laulu laiskana pitävi
  5. Nuustielle
  6. Utu
  7. Inttäjäispolska
  8. Menuetti
  9. Mikaelin kirkonkellot
  10. Kuutamolla kahden
  11. Salaisia kyyneleitä
In my previous entry, I mentioned Loituma in the context of being an "one-hit wonder", due to their well-known song "Ievan Polkka" (often misspelled as "Levan Polkka" or "Leva's Polka") that became an internet meme in the 2000s. A lot of people got an unfortunate perception of Loituma being a joke band because of that song, which is completely untrue. Actually, Loituma were one of the best 90's nordic folk collectives, and they have released two full-length albums before the "Ievan Polkka" single.

Here's one of these albums, released in 1998. If you expect to hear danceable a-capella songs like "Ievan Polkka" on there, you're going to be disappointed - but it's strongly recommended if you like melancholic acoustic folk (without the prefix "neo-") with female vocals, and especially if you enjoy the sound of kantele. The best track on "Kuutamolla" in my opinion is "Nuustielle", but the rest of the album is nice too, especially two last tracks. Visit the comment section of this excellent blog for the music.

Wednesday, April 1, 2015

Нейромонах Феофан - "Лапти разбить об пол" [2012-2014]

Artist: Нейромонах Феофан
Title: Лапти разбить об пол
Genre: Drum and Bass, Neurofunk, Electro-Folk
Country: Russia
Year: 2012-2014

Track List:
  1. Асмодеев на кол!
  2. Драм для Ивана
  3. Камыш
  4. Козаки (full ver)(Bonus)
  5. Козаки
  6. Лапти разбить об пол
  7. Любите Русь, Любите Драм (Новогодняя)
  8. Мужицкая силушка
  9. Нейромонах Феофан
  10. Пляски с медведем
  11. Посевная
  12. Сильная Воля и Крепкий Дух
  13. Холодно в лесу
  14. Я буду с тобою
  15. Драм и Светлая Русь
  16. Кое-что
  17. Лесные зобавы(ver. 1)
  18. Лесные зобавы(ver. 2)
  19. Мне под Драм легко 
Today, on April Fools' Day, it's the best time to post something which started as a 100% joke project but eventually evolved into something bigger. There isn't much known about Нейромонах Феофан except it's an one-man project which started to produce music circa 2012, combining D'n'B/neurofunk sound with folk metal vocals and imagery. The result turned out to be surprisingly interesting - at least I can't name any other project which sounds like this, especially on our post-USSR scene which rarely produces something really original.


Even though the project wasn't serious by any means and never strived for more or less wide popularity, it suddenly went viral in 2014. I'd compare it to the well-known phenomenon of "Ievan Polkka" by Loituma, when a simplistic folk tune makes an "OMG why I just can't stop listening to this shit"-effect. In the wake of his unexpected popularity, Нейромонах Феофан released a professionally produced 17-track LP a couple of months ago. It consists of his early demo tracks plus one new song which is great too:


Moreover, he gave two live shows (in Moscow and St.Petersburg) just a couple of weeks ago. While he continues to keep his identity strictly anonymous, rumours say he's from St.Petersburg - which I find believable, since that city has enough people with an appropriate sense of humour to produce such kind of music.


If someone wonders how his moniker should sound in English - I believe it should be "Theophanus the Neuromonk" or something like that. Yes, he does maintain a scenic image of a hermit monk whose only entertainment is producing D'n'B/neurofunk. Sounds hilarious, right? His lyrics are based on even more hilarious stereotypes, but I'm afraid I lack appropriate skills to translate it properly. As for the music, it's a bit repetitive but not bad for a self-produced joke project. I'm not a big fan of either traditional folk music or drum'n'bass, but this particular combination of these two genres is awesome. I'd call it "turbofolk", if this term wasn't already in use...

The tracks included in the link below are demo tracks from 2012-2014. If you prefer the professional quality of production, consider buying an album which came out in 2015.

Tuesday, March 31, 2015

Noise Jihad - "Jihad" [2013]

Artist: Noise Jihad
Title: Jihad
Genre: Harsh Noise
Country: Russia
Year: 2013

Track List:
  1. Jihad Bil Saif
  2. Jihad Bil Yad
  3. Jihad Bil Qalb
  4. Jihad Bil Lisan
  5. al-Jihad al-Akbar
Surely, we don't live in the 80s anymore, and a skeleton on the cover of your favourite metal album won't scare even your grandmother nowadays. However, there still are topics with a decent potential to shock the audience, one of which is Islamic radicalism. This topic was pioneered by Bryn Jones (Muslimgauze) well before 9/11 (not to mention the Islamic State insurgency or Charlie Hebdo shooting), and then continued by numerous projects which are making witch house remixes of nasheeds (it's a very popular trend by now, at least here).

Now we have a 100% digital noise project based out of Ivanovo, which have released dozens of albums and EPs in just one year under different aliases (Noise Jihad, Hargeysa, Virtual Mosque, and so on). Just like Bryn Jones, the anonymous person behind Noise Jihad focuses on Islamic aesthetics and imagery, and just like Bryn Jones (who never actually visited Palestine or Middle East in general, despite recording a shitton of Middle Eastern-themed albums), he doesn't seem to have a really deep knowledge of the affairs he writes music about. That said, I'm not an Arabist or Islamic scholar too, so I'm not sure if I'm in the position to judge his work.

I haven't listened to the whole vast discography of Noise Jihad (and, frankly, I don't want to), but out of what I've heard so far, I'd recommend "Jihad" for starters. If you don't like it, don't bother yourself listening to the rest of Noise Jihad's releases.

Friday, March 20, 2015

Post Mortem - "Infandum Renovare Dolorem" [2008]

Artist: Пост Мортем
Title: Infandum Renovare Dolorem
Genre: Horrorcore, "Macabre Rap"
Country: Kazakhstan
Year: 2008

Track List:
  1. Corpus Vile
  2. Danse Macabre
  3. Mansio De Mortis
  4. Infanticidium
  5. Lucio Fulci
  6. Nidus Penes Morbus
  7. Hora Somni
  8. Angelus De Letum
  9. Opus Dei
  10. Requiescat In Pace
  11. Habeas Corpus
  12. Absque Turpe
  13. Dolor Modus
Пост Мортем (or Post Mortem, if you wish) are a russophone rap trio from Kazakhstan, consisting of Alibek "Dr. Fulci" Jusip, Maxat "AzRaiL" Bekes and Evgeniy "j0nny" Postebailo. Their lyrical themes have been described as: "infanticide, dismemberment, slavery, hate, genocide, drug abuse, paranoia, rape, war, torture, terminal illness, child abuse, domestic violence and religion (or lack thereof)" [and Lucio Fulci's movies, I must add]. To put it in short, it's rap with death metal lyrics & imagery. The subgenre of rap music which typically employs such lyrical themes is known as "horrorcore", but the members of Post Mortem don't like this term, preferring their music to be called "macabre rap" instead.

Another, much more well-known horror rapper who dislikes the term "horrorcore" (and prefers to use "death rap" instead) is Necro, of whom I was a fan for a long time, but I always thought it takes a native (or close-to-native) English speaker to fully enjoy Necro's lyrics. And how we have a hip-hop act which is nearly as good as Necro, and raps in my language. Isn't is great? While I normally prefer metal to rap by a wide margin, it's much easier for me to relate to this kind of rap than to the majority of generic death metal. Of course this album isn't a masterpice, but it's infinitely better than almost all the cRAP produced by the post-USSR hip-hop scene. "Infanticidium" is easily the best track on the whole album, and as someone has rightfully said, "that track should be aired on TV as it's a way superior alternative for all these shitty reality shows".

 

"Infandum Renovare Dolorem" is Пост Мортем's second and the last (and, in my opinion, the best) album. Their debut album "Macabre" isn't bad too, but it's more straightforward Necro worship, with some experiments with death metal which I personally didn't like that much. Their 2012 EP isn't bad either, but this more experimental than their early works, and the lyrics are less explicit. Sadly they haven't released anything in the last couple of years, although the debut solo album of Dr. Fulci is expected to be out on 31st of March.