Here's probably the best known post-punk band from my city, named after the July Days of 1917 in Petrograd a/k/a St.Petersburg (by a coincidence, I've traveled there just several days ago, right on the 101st anniversary of these events). "Колокол" ("The Bell"; you can guess the translation by just looking at the cover, though) is their latest EP up to date, released in late 1916, and arguably the best. With all honestly, I think if there's one subgenre of rock where the Russian scene is good at, then it's post-punk/coldwave:
Finally, I found the debut self-titled release of this very obscure Soviet post-punk/industrial rock band (perhaps one of the very first ones), whose second album I've posted here about an year ago. It was re-released on cassette (30 copies) by Ultra Records in 2009, and later on CD along with their 2nd album.
Compared to their second album, it's more straightforward post-punk with less distorted vocals, but the fans of early industrial/noise rock in the vein of Swans should enjoy this one too. Overall, both their sound and aesthetics were exactly what's expected from an obscure industrial/noise rock band from the late 80s, and it's sometimes hard to believe that it was recorded in Leningrad and not in London or New York. I'm still searching for any releases of their side project called Mechanical Ballet (if there were any at all).
Among the bands featured on this compilation, there's one female-fronted band (one of the very few ones at that time) called Markiza (not to be confused with Markize!), which was considerably popular among Soviet metal fans during the late 80s, yet is largely forgotten by now. Here's their even more obscure predecessor, whose music I personally like better.
Both bands were started by Sergey Sokolov, who began his career of a professional musician in 1970, and has played guitar in many "prestigious" pop/rock bands during the 70s. By the end of 1978, he and his wife Elena decided to record a hard rock album. They did have recorded a full-length album by 1982 (which wasn't officially released), but it wasn't particularly "hard" when it comes to sound. After one more failed pop/rock project, they again decided to start a hard rock band in early 1985. Their first live performance for a big audience took place at the festival "Rock Panorama '86" - the very first official rock festival held in Moscow during 4-8 May 1986. Again, they haven't played anything particularly "hard" there - their program consisted solely of pop-rock, although of a rather good kind:
While they haven't particularly impressed the public with their sound, Elena did cause a scandal by demonstratively wearing a very short skirt on stage - nothing special in today's times, but quite provocative back then. Yet that performance helped them to get more recognition, and, after some line-up changes, they officially hired by the Moscow regional philharmonic society. This enabled them to record their one and only hard rock EP, which is presented here. However, the next 1987 year wasn't good for them - Elena and Sergey have divorced, and in the end of the year, they were fired from the philharmonic. Later in 1988, they went on to form a much more successful glam-oriented band Markiza, but that's another story. This EP turned out to be surprisingly good, all things considered. Obviously influenced by Lita Ford, Doro Pesch and Lee Aaron, it mostly lies on the blurry boundary between hard rock and traditional heavy metal (+ a ballad in the end of the EP, which is probably the best song on the whole release). The 3rd track can even be half-jokingly considered to be the first viking metal song made in the USSR... or, with all seriousness, probably the first Soviet/Russian metal song with lyrics based on the Norse mythology: