Wednesday, January 25, 2017

Irina Duskulova / Ирина Дускулова - Yukaghir songs

Ethno-pop with lyrics in Yukaghir? Now I truly have heard everything. Only a month ago I wouldn't even think that one day I'll post anything like this here, even if I've posted quite a lot of Mari and Komi ethno-pop before. However, these two languages, albeit endangered, are still spoken by hundreds of thousands native speakers, while both varieties of Yukaghir are spoken only by a couple of hundred people (mostly elderly). Yet there is modern music in this language, even if I managed to find only a couple of songs. Interestingly, there's also relatively many works of modern literature in both Yukaghir dialects, and the amount of talented Yukaghir writers and artists is suprprising for such a small-numbered ethnic group.

Yukaghir languages once were spoken all over the vast expanses of Eastern Siberia, but they were replaced by Yakut and Tungusic languages almost everywhere over the last millenium. The culture of Yukaghirs has some remarkably archaic traits (i.e. some remnants of matriarchy), which are thought to be the legacy of very ancient inhabitants of Siberia. Genetically, they exhibit roughly equal frequencies of Y-DNA haplogroups N1c (typical for Uralic peoples), Q (typical for Native Americans and Paleo-Asiatic/Siberian peoples), and C2 (typical for Altaic and Paleo-Siberian peoples, and some Native Americans like Na-Dene). The origins of Yukaghirs can be traced back to Neolithic Ymyyakhtakh culture (2200-1300 BCE) which was spread across Eastern Siberia, with some Ymyyakhtakh-like artifacts found as far as in Alaska and northern Scandinavia. After a series of smallpox epidemics, the total Yukaghir population dropped under 1 thousand by the end of XIX century, and survived only in two remote regions in the extreme north of eastern Russia. Long considered an ethnic group soon to be extinct, the Yukaghir population is now fairly stable in numbers, although they remain one of the smallest minority ethnic groups in Russia, and not many of them still speak their language.

Much like the language, the Yukaghir culture is quite unique, although sharing many elements in common with other indigenous cultures around the Arctic Circle. Yukaghirs are known for their surprisingly vast medical knowledge, for their pecular pictographic writing system (a very specialized one, mostly used in love letters and improvised maps), and a great degree of equality between men and women. The traditional lifestyles of Tundra and Kolyma Yukaghirs differ significantly, the former being nomadic reindeer herders, and the latter - sedentary hunters and fishermen.

Yukaghir languages have no apparent affinity to any other language family, although they do have some similarities to Uralic, Tungusic, and other Paleo-Siberian languages. A distant relationship to Uralic (Finno-Ugric & Samoyedic) languages had been proposed by several linguists, but it's far from proven. Out of the linguists whose works I've read, Vladimir Napolskikh is a supporter, and Ante Aikio is a critic. I'm not competent enough to judge on this matter, but from what I know about Uralic and Yukaghir languages, it isn't hard to believe that they're connected in some way. In particular, these Yukaghir songs remind me of Mari ethno-pop for some reason, and the singer herself reminds me of Marina Sadova :)


Now, a few words about her. Irina Duskulova was born on 17 June 1992 in Nelemnoye, a small settlement in Northeastern Siberia which is one of the few places where the Yukaghir culture and language are still alive to some extent. She's a niece of a well-known Yukaghir writer and poet Gennady Dyachkov, and apparently has inherited some literary talent from him, since she writes most of the lyrics for her songs by herself. Above is the video of her performance at the "Sana Yrya" song contest in Yakutia, which earned her the "Discovery of the year" award when she was 19 y.o. By now, she's a head of the "Yarkhadana" ethnocultural center in Nelemnoye, which hosts cutural events, promotes healthy lifestyles among the local population, and helps to preserve the Yukaghir folk traditions.

She's also a winner of numerous local beauty contests, and rightfully so, even if her appearance is definitely not something I used to see everyday. Look how beautiful she is in the beginning of the video above, when she appears on the stage in a short blue ethnic-themed dress which perfectly matches her appearance... Additionally, she has appeared in a music video filmed in Nelemnoye - the very first MV for an Yukaghir song:


These two songs are the only ones in Yukaghir I know. I could find another two songs of her in Yakut, and one more song that's standard Russian pop. By the way, she was happy to know that I'm going to post her songs on here (even if my blog isn't about such kind of music in general).


P.S. (2019) Irina has just released a couple of new songs in Yukaghir, and I decided to include them into a Youtube compilation, along with all the other songs by her I could find:

Tuesday, January 17, 2017

Aftermoon - "Phase One" [2016]

Artist: Aftermoon
Title: Phase One
Genre: Symphonic Metal, Alternative Metal
Country: Ukraine
Release date: 2016

Track List:
  1. In Loving Memory
  2. Lumia
  3. Deadborn Revolution
  4. Cold
  5. Losing Me
  6. Runaway
  7. Somewhere
  8. Duality
  9. Daemons
  10. Time Crisis
  11. To You (Bonus Track)
Aftermoon are a new band from Kiev who describe their music as just "melodic metal", and I can't come up with a more precise description either. It's indeed quite melodic, with a lot of electronic elements which are more on the "pop" side of things - yet it's still more "metal" than any release from Amaranthe, or any of the later works of Aftermoon's countrymen Semargl. Either way, "Phase One" is fairly pleasant to the ears (even if the second half of the album is, unfortunately, much less interesting than its first one), and their vocalist Valeri Lahtinen has a quite nice voice.


Sunday, January 15, 2017

Sanctorium - "The Depths Inside" [2014]

Artist: Sanctorium
Title: The Depths Inside
Genre: Symphonic Metal
Country: Russia
Release date: 2014

Track List:
  1. Intro
  2. 1000 Years
  3. Dragonqueen (feat. Max Morton)
  4. Alive
  5. Spirit
  6. Maid Of Lake (feat. Anastasia Simanskaya)
  7. Cancer Of Earth
  8. Initiation Of Al'Hazred
  9. Silent Cry
  10. Rub Al'Khali
  11. Prayer
As it was described on metal-archives.com: it is "symphonic metal that's still metal". Surely it's far from being unique or innovative, but if you're looking for well-played and produced symphonic metal with dual (male and female vocals) heavily influenced by Epica, this album is for you. (Strangely enough for a metal album, it was released on Gravitator Records, a rather well-known label specialized in synthpop, gothic electro and industrial of all kinds).


By the way, their lead vocalist - Daria Zhukova a/k/a Eirene - was born on the same day as me (December 25). Here are some photos of her:

Monday, January 2, 2017

Erg Noor - "Kosmos" [2006]

Artist: Erg Noor
Title: Kosmos
Genre: Atmospheric Death/Doom Metal
Country: Germany
Release date: 2006

Track List:
  1. Ad Astra
  2. Lost Future
  3. The Awakening
  4. The Wings and the Chains
  5. Evening
  6. Suffering
  7. Night
This project is named after a character in a Soviet sci-fi classic "Andromeda" by Ivan Yefremov, therefore it just have no right to be bad :) In all seriousness, it's a very unique kind of "cosmic" instrumental doom metal, not too heavy but very atmospheric. A kind of music I can listen to for hours non-stop without getting tired of it.

Erg Noor is (was? unfortunately, there are no news from EG since 2009...) a self-defined "misanthropic doom metal" one-man band started in 2004 by someone who was apparently born in our post-Soviet space but relocated to Germany during the 1990s (or maybe early 2000s) along with many other Spätaussiedler. There was an official site (ergnoor.de) with all his music being available for free download, but it isn't working anymore, and the current status of the project seems uncertain. I managed to find some photos of this guy which appear to be from 2011 (maybe a bit earlier), but that's pretty much all:


Sunday, January 1, 2017

Doom Architect - "Sententia Prima" [2016]

Artist: Doom Architect
Title: Sententia Prima
Genre: Atmospheric Death/Doom Metal
Country: Russia
Release date: 2016

Track List:
  1. At The Bound Of Death
  2. Leaving The Shadows
  3. Detachment
  4. Embracing The Void
  5. Astral Wind
  6. Light Of Inner Flame
Some 10 years ago, I used to like a lot of death/doom metal from the 1990s. Now it's a much smaller part of my musical diet, but I still have a lot of love for this kind of music, and it's good to see this genre still being alive in the mid-2010s.

Doom Architect are a male/female duo originally from Izhevsk (later relocated to Moscow). Both of them are former members of a band named Волновой Фронт / Wavefront (sort of an original name for a heavy/power metal band, but the lyrical themes doesn't seem to be too original - "Fantasy, Epic Battles, Warriors..."). Now they seem to be focused on their other project Sky Crypt (melodeath), yet they already have released two albums under the name Doom Architect, one of which is presented here. It doesn't have to be too original or innovative - it's just death/doom metal played the way I like it. My personal highlight on this album: the track "Astral Wind" (specifically the keyboard work on there). In general, the release notes from Narcoleptica Prods. provide a pretty good description:

"The music on "Sententia Prima" is a special alloy of slow melodies framed by heavy guitar riffs and keyboards atmosphere. Vocals also connects it all together with texts narrating about the thoughts that come to mind to anyone who travels inward, who are periodically is beyond the categories of space and time, the person is continuously separated from the conventional world".


Saturday, December 31, 2016

Happy New 2017 Year!

An year has passed since I wrote this, and not much has changed. I'll try to keep this blog alive in the coming year (in particular, I plan to post several albums from the local metal scene in the next few days); however, I don't think it's worth putting too much effort into something that very few people are interested in.

Either way, I wish all the best in the next year to everyone who reads and appreciates my blog (even if there aren't many).

Thursday, December 22, 2016

V/A - "Heliophagia 06" [2006]

Artist: (various)
Title: Heliophagia 06
Genre: Dark Ambient, Drone/Doom Metal
Country: Russia
Release date: 2006

Track List:
  1. Nojda - Lyšt Pudt Olmevudt
  2. Panacea Enterpainment - Hymnus Hibernus
  3. System Morgue - Reactor #4 / Fenrir Awakening
This 3-way split, released 10 years ago on the day of winter solstice, eventually became the first one in a long series of annual compilations. Initially there was an idea to release 6 compilations named "Heliophagia" dedicated to the winter solstice, numbered in a descending order (from 06 to 01). However, there already are 10 such compilations released so far, and several other similar seriers (Isorropia, Xypnima, Heliolatria etc.) were established later. All of them are released on a net label named after the Heliophagia series (it was initially named Anthropocide Productions, but this name has gone to a recording studio in 2008).

The concept of the Heliophagia series was conceived by Najnas, the founding member of Nojda and a collaborator in several other projects (a lyricist in Panacea Enterpainment, and a founder of a joke oi! band which I won't name here). If memory serves me right - he, being partially of Eastern Sami ancestry, has named himself "Najnas" after a god of northern lights from the Sami mythology. Nojda is his ritual ambient / "shamanic metal" project inspired by Skepticism, Ajattara, Gods Tower, Lycia, Troum, northern nature and Sami folklore. Unfortunately, Nojda has never released a proper album, only 4 or 5 track in total which appeared on various compilations in the Heliophagia series. That's a shame, because Nojda was undoubtedly one of the best projects to appear on these compilations.

The rest of "Heliophagia 06" isn't as interesting as the opening track by Nojda. "Hymnus Hibernus" by Panacea Enterpainment is rather mediocre doom metal/ambient, and the ambient/PE track by System Morgue is good but nothing special. Those who followed my blog through the last 5 years (if there are such people at all) should already be familiar with this project and its mastermind, who goes under the name "Peter LX". Back in the days when this split was just released, I kept a regular contact with him, Najnas and some other artists that appeared on their compilations (Paracore, Reido etc.). Now, 10 years later, I'm sitting at home alone waiting for my next birthday (which will come in just 3 days) and thinking what to make of all that useless knowledge of underground bands which next to no one listens to...

Staruha Mha - "Rusali" [2003]

Artist: Staruha Mha
Title: Rusali
Genre: Dark Ambient, Drone
Country: Russia
Release date: 2003

Track List:
  1. Wheel Of The Year / Колесо Года
  2. Grasses / Травы
  3. On Branches / На Ветвях
  4. Blue Rivers Of The Sky / Синие Реки Небес
  5. Deformation / Kруг Железного Предначертания
  6. ...And The Trees Woke Up / Iikkooorrr
  7. Over Quiet Water / Над Тихой Водой
  8. Bark / Кора
  9. Bonfires On A Hill / Костры На Холме
  10. Ear Of The Night / Ухо Ночи
  11. Through The Woods / Через Леса
  12. Paporotnik / Папоротник
Staruha Mha was started by Roman Sidorov, a member of several post-punk and industrial projects (Der Golem, Sedativ, Fatal), in 2000. The project has released two demo albums on CD-R before Sidorov hanged himself on 20th September 2003. After his suicide, both albums were released on CD with the tracks names crudely translated to English. While the author was intending to keep his music strictly underground, his works have reached a cult status on the post-Soviet industrial scene nevertheless. I personally wouldn't call myself a #1 fan of his music, but this album is definitely a classic without which my blog won't be complete.

"Rusali" is nearly 80 minutes long, featuring 12 tracks of drone ambient, field recordings, and some elements of industrial noise (although it's inspired by nature, not industrial landscapes). Main sources of influence: Rapoon, Coil, Apoptose ("Nordland", 2000), Troum, Bad Sector, Iszoloscope, Lustmord.