Genre: Ambient/Electronic, Soundtrack
Country: Azerbaijan
Release date: 2012
Track List:
- Passive
- Long Journey
- Lost In Time

One more Belarusian band, one of whose members used to post on "M-Forum" ~10 years ago. Back then, he seemed to be quite immature (your typical "trve black metal" fan), but junging from this album, he grew up into a good musician. The best track on "Destination Cybermind" is probably "Zarathustra XXI", but the whole album is quite good and definitely recommended to every fan of industrial death/black metal (and what's important - it's officially FREE for download).

One more band named Pulsar, this time from Belarus and playing power metal. First I heard about them was circa 2003, when I used to read the "M-Forum" (probaby the only Belarusian metal forum back then). They were quite unpopular among the users of said forum (because it was considered "cool" to listen to BM and brutal death metal, not gothic or power metal), but I personally liked some of their promo songs ("Civilization" and "Eternity") very much, even though I couldn't find their first and only full-length album anywhere. Now I found it, and I have to say that the 2 songs I mentioned are indeed the best. "Fire & Ice" isn't bad either, but the rest of the tracks (with lyrics in Russian) are just generic power metal, and the album cover image is so stereotypical it hurts. "Civilization" and "Eternity" are very beautiful songs, though - a good example of power metal that's about more serious topics than fantasy and dragons. The vocal work isn't perfect, though, as well as the overall quality of production, but it's good enough for an underground metal band from the ex-USSR.

Second album by Pulsar, which is in my opinion better than their debut "Pollen". Excellent progressive/space rock, would be a perfect soundtrack for some French sci-fi movie or cartoon like "Les Maîtres du Temps" (I don't like its original soundtrack, except for the closing theme). After "The Strands Of The Future" Pulsar released one more album called "Halloween" (which wasn't as popular as their first two albums due to rise of punk rock scene, which seriously diminished the fanbase of classic rock), and then split up. Personally I found "Halloween" not as interesting as either "Pollen" or "Strands of the Future", but it's still definitely worth listening (won't post it here, though).

And one more classic progressive/space rock release that may appeal to those who liked "Martian Chronicles" by Solaris. Listen to the whole album on youtube:


It'd be very hard for me to write a proper review of this album, because it's one of my all-time favourites, and definitely included in my personal top-5. In short, "Marsbéli Krónikák" present everything what I love Hungarian prog-rock for: catchy and beautiful melodies, atmosphere of bright sadness, excellent musicianship, analog synthesizers from the 80s, and the influence from sci-fi classics like Ray Bradbury and his "Martian Chronicles". Even though the album is entirely instrumental, it accurately reflects the mood of "Martian Chronicles" and a lot of other "hard" science fiction of the 20th century. That probably what The Martians would listen to, if they were born half a century later :) I should also note that Solaris is progressive rock, but not avant-prog; so it's sophisticated enough, but isn't hard for listening at all. A true masterpiece, perfect example of good Eastern European prog-rock sound.

After Crying are probably the most well-known Hungarian avant-prog band, often considered to be the best RIO-influenced band in their country. Personally I heard only two albums out of their considerably big discography, and here's my favourite one. I think the album cover says all about the music - the atmosphere it creates is as quiet and melancholic as winter forest at night. Don't know how to express it better...

Vágtázó Halottkémek aka VHK, formed in Budapest in 1975, were one of the most unique and innovative Hungarian progressive rock bands. There's a lot of bands in Hungary whose music is inspired by Hungarian (and Uralic/Altaic in general) mythology and epos, but VHK really stand out even among them, being a very dedicated concept band.
While I haven't heard anything of VHK been influenced by Rock In Opposition or similar movements, their music is quite hard to get into, quite comparable to most of RIO bands in this regard. Their style ranges from shamanic/psychedelic rock (this album, the most-well known release of them) to hardcore and even metal (some of their earlier releases), but the influence of Hunnic culture and pantheistic beliefs (Tengrianism?..) is always evident. Very original and sophisticated music, but definitely not for everyday listening.